No prompt farming, vegetative binaural stasis, oligarchic formatting or conducive input degradation for our cuts. And yeah, AI wrote this sentence. And if you think this makes for crappy copy, imagine what it does to music.
Great music relies on creativity, not algorithms. And maybe a guitar tuner. And probably some drugs.
WHAT YOU WON’T FIND: KEY CHANGES, FADE-OUT ENDINGS, UNEDITABLE MELODIES/HOOKS OR UNLOOPABLE BEDS.
Every cut in our catalog has way more information than the average five-word track description. How useful is “Tense, fast dramatic strings. Excitement?”
In one paragraph we tell you the genre, emotional direction, primary instruments, intended use, key hit points/mood changes, several inappropriate jokes and tons of keywords.
(Description for Epoch Dawn, VH 98 Ultraheroic, Cut #3)
Ever wonder what a gunshot sounds like from the bullet’s perspective? Or a clock swallowed by a black hole as time grinds to a halt? Or accidentally flush an expensive Bluetooth mic down a toilet?
We wondered too. So our team of sound designers and musicians created MODULES our library of Narrative Sound Design.
Every surreal sonic exploration in the MODULES catalog is composed like a musical piece. Each track has an intro, sets a mood and features thematic hooks, stings/climaxes, builds, rhythmic breaks, and transitions. Just like music, all designed for easy editing and modular use.
Not just explosions or reversed cymbals. We’re talking experimental, never-before-heard sounds with incredible frequential dynamics that might change that whole “it’s been ___ days since I’ve soiled myself” record. Resulting in a cult-like following by creators of trailers, promos, show opens and videogames.